Tag Archives: silverpoint on a medium toned ground with white highlights

silverpoint composite underdrawing

Silverpoint Composite

silverpoint composite underdrawing

Composite silverpoint underdrawing, silverpoint on pastel ground over tinted acrylic gesso on HDF. Final size: 106.5 x 168 cm or 42″ x 66″

It’s taken me approximately one year to complete this series of sixty four panels. Not that it should have taken all that time – it’s just that life is what happens to you while you are busy making other plans. However, all sixty panels are now completed such that the composite image can be assembled. And here it is. The final size is approximately 3 1/2 feet x 5 1/2 feet. So, almost life size.

I love the soft daguerrotype atmosphere that the silver creates. Also, how the somewhat fuzzy, sandpaper-like pastel ground that I applied over the tinted (acrylic) gesso panels adds to that softness. Drawing in silverpoint necessarily means a compressed value range, which in this case, I was able to increase through the addition of white highlights.

Silverpoint assemblage along the way.

Silverpoint assemblage along the way.

As I have insisted all along though, my aesthetic intention for these panels is that they serve as an underdrawing for the final painting – yet to come. Now, due to a number of technical considerations, I will need to perform a few experiments before I apply further layers of paint, fixative and/or varnish – not necessarily in that order. Thankfully, the University of Delaware hosts a forum, consisting of professional artists, expert conservators and product creators who freely offer sound, technical advice to geeky and experimental artists like myself. What a gift!¬†Here’s the link for anyone who may be interested. So, though it may take awhile I truly hope I will be able to post the final outcome sometime in the (relatively) near future. Stay tuned. ūüėČ

 

#13 Silverpoint on tinted panel, highlighted with titanium white.

Silverpoint underdrawings, batch #4

Perhaps because I haven’t posted in awhile, a number of friends have asked recently if I am still working on my silverpoint drawings. The answer is emphatically: “Yes!”. Since I’ve had a few other projects on my plate, I just haven’t done a post. So here is batch #4.

Actually, I am coming down the home stretch of these sixty four (underdrawing) panels (there are still twelve left to do). Each is a jewel in its own right, though clearly some are more interesting compositionally than others. I had  about thirty panels to sort through in order to select these five to showcase here.

As you’ll see, the panels that contain body parts with differing textures and conditions of light make for the most interesting compositions. It’s important to recognise that the silverpoint can never create a really dark line. The best that’s achievable is a 50% warm grey (which is drawn on a panel already tinted with a terra verte toned ground). So after transposing the basic form-describing lines, I fill in the dark values with silver cross-hatching. Through this process, the three quarter tone, deep shadow information inevitably gets lost however the composition does come to life when I introduce tints of (acrylic) titanium white.

Silverpoint over tinted acrylic gesso ground, highlighted with (acrylic) titanium white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Silverpoint Studies, Batch #1

Panel #10, Silverpoint over tinted gesso ground, highlighted with white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Panel #10, Silverpoint over tinted gesso ground, highlighted with white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Panel #01, silverpoint underdrawing over tinted gesso, highlight with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #01, silverpoint underdrawing over tinted gesso, highlight with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I’ve been doing some underdrawings for a new project. It will be a different approach to the same image/subject matter as the¬†“A Piece of Me” project, completed in December 2020. However, instead of being executed in a full textural and chromatic range this one will be untextured, ¬†monochromatic and ghosted back. It will be done in silverpoint on acrylic and overpainted (in acrylic or oil, TBD) on sixty four panels.

Here’s a selection of some of the individual panels I’ve created so far with some notes. 1) Using silver point means that I can never reach a rich dark value (this is not india ink!). So that’s fantastic and exactly what I’m looking for. 2) In addition, since I’m creating them on tinted grounds, the darkest value provides less contrast than if I were starting from a white ground. Again, excellent! 3) The tinted ground itself establishes a middle value and allows me to lay in white washes to bring in some highlights. 4) Inevitably, the value range is compressed and subtlety reigns. Nice.

Panel #02, silverpoint underdrawing over tinted gesso, highlighted with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #02, silverpoint underdrawing over tinted gesso, highlighted with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #03, silverpoint underdrawing, silverpoint on tinted ground touched up with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #03, silverpoint underdrawing, silverpoint on tinted ground touched up with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I can already see that, when the composition warrants it, a few of the panels are or will be worthy of individual display, though I’m not sure how to handle that. Should I create them (only) for integration into the final piece? Or should I create some for appreciating in isolation (only)?¬†It’s a great problem to have which, at the moment, I don’t have to solve. I can simply create the little panels, fall in love and see where it all goes.