Anna, Back. Multimedia on panel. 44.5 x 63.5cm or 17.5 x 25 in.
I recently completed the back side to this double sided portrait painting. See left and above. The front had been completed in 2011, however for many (mostly technical) reasons, I had not been able to fully realise my original vision until now.
Anna Front. A mixed media painting on panels. 44.5 x 63.5 cm or 17.5 x 25 in.
The front side consisted of 25 independent individual blocks, which were painted separately. See linked image on the right. However, I had always wanted the back side to present an etherial yet unified mirrored image of the front. That is, an image of the inherent witnessing consciousness of a human being. However due to the piecemeal nature of the substrate, the whole had lacked any structural unity for realising such a vision. So I had to create it. See glueing and framing Anna on my companion blog site atelierartisanal.com.
Original underpainting in egg tempera for Anna – Back. 2011
As for the painting of the back, my idea was simple enough. Create a chromatic underpainting in egg tempera as a mirror image of the front, yet lighter in value, say, 50%. See left. Allow that egg tempera to cure long enough – which turned out to be 10 years! (certainly not my original intention). Then add in some white (oil) scumbles (to lighten and unify) followed by a transparent blue glaze (with clouds) to send her skywards. But since ten years of storage had elapsed – as well as the intervening necessity of glueing the substrate together – I had some additional preparatory work to do before realising these plans. You can read about grouting and glazing Anna here.
In addition, texture had always been part of my original vision. So, because some of the front panels were textured, their mirror image on the back was, too. That meant that besides the grid as a definitive texture, there would also be a variety of textures on some panels. These elements would influence the global glazing in a way that was not under my control(!). Nevertheless, after letting my white scumbles dry, I took a deep breath, lay in a transparent blue glaze and threw in some energetic white clouds for accent. After forty years (of leaving the unpainted blocks to languish in storage), ten years (of curing the egg tempera), two months (of repairing) and forty five minutes of actual painting I was finally done. Whew!
I don’t think I’ll try something like this again. Ever. 😉
Two birds, inseparable companions, perch on the same tree,
one eats the fruit, the other looks on. The first bird is our
individual self feeding on the pleasures and pains of this world;
The other is the universal Self, silently witnessing all.
From the Mandukya Upanishad 3.1.1