Figure Drawing April 30, 2018

Back after spring break. And I, head deep in writing my thesis, happy for a-no-mind interlude. The featured image here reflects my continuing experimentation with colorful pastels – and this exciting dark brown-gray (umber) for the skin-tone shadows. Wow!

Of course, it also helps to have a good model, who takes interesting poses.

Two fifteen minute studies. Conté crayon and conté pencil on toned pastel paper. 32.7 x 50 cm or 13 x 19 3/4 in.

Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19 3/4 in.

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Figure Drawing April 16, 2018

Eva, one of our regulars.

Four four minute gesture studies. Charcoal on brown sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

 

Figure Drawing March 26, 2018

The model tonight, I think her name is Lisa, likes to wear glasses when she poses. She is a good model, also with an interesting shape: thin torso with thick legs and buttocks. There is always something stable, grounding and elephant-like in drawing such figures.

Tonight I had better luck with the four minute gesture poses. Below here are five. Charcoal on tinted brown paper. 35  x 50 cm or 13.75 x 19.75 in.

  

Figure Drawing – March 5, 2018

Haven’t seen this model come for awhile. She is younger than most, so that just means that potentially she  might take more energetic positions. Well, that wasn’t really the case tonight. Still, it turned out to be a productive evening.

Three fifteen minute poses, Conté crayon touched up with conté pencil on toned pastel drawing paper. 32.7 x 50 cm or 13 x 19.75 in.

Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19.75 cm.

Figure Drawing February 26, 2018

Fantastic model tonight. How could we be so lucky to have two great male models (almost) in a row (see February 12th)? For the model tonight seemed to know intuitively what poses create true interest. Weight changes. Tension – and/or lack of it. Being comfortable in your own skin. Well, OK, I was also experimenting – with some success – with my new skin tone pastels. Maybe both factors coming together?

Below six (count ’em, six) fifteen minute figure studies. (that means that almost every one turned out interesting, since we usually do seven in total). Conté crayon with conté pencil on tinted pastel paper. 32.7 x 50 cm. or 13 x 19.75 in.

Three gesture drawings. Charcoal on tinted brown sketching paper. 35 x 50 cm. or 13.75 x 19.75 in.

 

Figure Drawing February 12, 2018

After a long (way too long) hiatus, I was finally able to return to figure drawing this week. What a delightful surprise to find that the model was one of my favorites(!). I distinctly remember when he posed for us last (about two years ago). That evening, almost every drawing turned out well, partly because he is/was such a good model: comfortable in his own skin and sensitive to what makes for an interesting pose. In the past (not knowing his name) I had called him Tintin, but as I learned this week his real name in Frederick. Thanks, Frederick!

In addition, during this interim I was able to pick up some additional skin tone pastel pencils and conté crayons which allow for subtle additions of warm accents. Yum!

These two toned drawings are 15 minute studies. Conté pencil highlighted with conté crayon onpastel paper. 32.5 x 50 cm or 13 x 19 3/4 in

Figure Drawing, September 4, 2017

A new-to-me model last night. Young, lithe and somewhat ambitious at least in her 4 minute posing.

Three 15 minute poses, one above and two below. Conté pencil highlighted with conté crayon on tinted pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Here below are some 4 minutes studies from last night’s session. charcoal or conté crayon on pastel paper (because I ran out of sketching paper). 32.7 x 50 cm or 13 x 19 3/4 in.