Tag Archives: silverpoint drawings for the witnessing consciousness

#13 Silverpoint on tinted panel, highlighted with titanium white.

Silverpoint underdrawings, batch #4

Perhaps because I haven’t posted in awhile, a number of friends have asked recently if I am still working on my silverpoint drawings. The answer is emphatically: “Yes!”. Since I’ve had a few other projects on my plate, I just haven’t done a post. So here is batch #4.

Actually, I am coming down the home stretch of these sixty four (underdrawing) panels (there are still twelve left to do). Each is a jewel in its own right, though clearly some are more interesting compositionally than others. I had  about thirty panels to sort through in order to select these five to showcase here.

As you’ll see, the panels that contain body parts with differing textures and conditions of light make for the most interesting compositions. It’s important to recognise that the silverpoint can never create a really dark line. The best that’s achievable is a 50% warm grey (which is drawn on a panel already tinted with a terra verte toned ground). So after transposing the basic form-describing lines, I fill in the dark values with silver cross-hatching. Through this process, the three quarter tone, deep shadow information inevitably gets lost however the composition does come to life when I introduce tints of (acrylic) titanium white.

Silverpoint underdrawing on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawings, batch #2

Silverpoint underdrawing #05 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #05 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I’ve completed six more panels, so I figure it’s time for an update. Illustrated here are a few of those that I that have found to be particularly interesting/beautiful for various reasons. The most evocative appear to be those whose compositions include human beings or parts thereof. It’s as though each one is from some unwritten comic book – captions not included (Hergé would have understood). Additionally, the abstract panels cause me to wonder/admire anew at how the iconoclastic impulse of Islamic art continues to produce such interesting varieties of texture and pattern.

Silverpoint underdrawing #07 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #07 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Further, one very general note. I feel I am serendipitously creating 21st century daguerreotypes(!). (Who knew?) It’s as though by using silver to recreate images based on a digital photograph the mechanistic process has come full circle: human to machine back to human. And again, because the drawing stylus is silver it’s almost impossible to achieve a line that is darker than a 50% grey value. All values are compressed thereby, necessitating a multitude of small decisions. Adding in the white highlights makes each panel come alive – my own gevoelsmatig pleasure.

Silverpoint underdrawing #11 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #11 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

The raison d’être for these remains as underdrawings. And I have no doubt that their beauty and subtlety will contribute to the whole in as-yet-to-be-experienced ways. However, some will be held back for individual display and appreciation. For this, I think I have a plan…