I’ve been doing some underdrawings for a new project. It will be a different approach to the same image/subject matter as the “A Piece of Me” project, completed in December 2020. However, instead of being executed in a full textural and chromatic range this one will be untextured, monochromatic and ghosted back. It will be done in silverpoint on acrylic and overpainted (in acrylic or oil, TBD) on sixty four panels.
Here’s a selection of some of the individual panels I’ve created so far with some notes. 1) Using silver point means that I can never reach a rich dark value (this is not india ink!). So that’s fantastic and exactly what I’m looking for. 2) In addition, since I’m creating them on tinted grounds, the darkest value provides less contrast than if I were starting from a white ground. Again, excellent! 3) The tinted ground itself establishes a middle value and allows me to lay in white washes to bring in some highlights. 4) Inevitably, the value range is compressed and subtlety reigns. Nice.
I can already see that, when the composition warrants it, a few of the panels are or will be worthy of individual display, though I’m not sure how to handle that. Should I create them (only) for integration into the final piece? Or should I create some for appreciating in isolation (only)? It’s a great problem to have which, at the moment, I don’t have to solve. I can simply create the little panels, fall in love and see where it all goes.