The muted tonalities and textures of a pattern of floor tiles. Located somewhere in the middle ground of the overall composition.
Perhaps the most interesting aspect of creating this panel was the extent to which I did not use the brush. The lighter sections above and below were done with a highly flexible painting knife, while the dark grey and blue tiles were created though the sequential dabbings of a small celled sponge. It was only the grouting lines (and small touch ups) that necessitated the use of a brush.
So, open textures broken by linear graphical shapes, while neutral grey forms a pretty steady through line. From a purely chromatic point of view some people might feel that grey element to be a bit too somber for their tastes. I get it, but as a tonalist, I feel it creates a peaceful serenity – so I really like it.
Technical write up of my use of acrylics for indirect painting in this project here.