Fourth in the mixed technique series of the larger mixed media project. (You can read more about the mixed technique but clicking the category link on the right.) It’s consistently amazing to me how quickly these images come together – but only because I have spent months preparing the earlier layers. So this is a sustained argument for the power, saturation and luminosity attainable through an indirect technique.
This particular panel was fun because it was lightly sculpted using pastiglia and because compositionally it contained the top edge of one of my shoes. That created not only a different texture but a stronger warmer hue as well as a set of stronger values. Here on the right is an image of the egg tempera underpainting and the left the final achieved through one layer of oil.