Here is #51, next in the egg tempera series. It’s an abstract design (of a section of a plastered wall) that, at first, had seemed deceptively easy. But, in fact, the area of gray and white depicted on the far left required integration, that is, it stood out like a sore thumb until I had supplied a light echo to it on the bottom, right. They say a missing word can cause a poem to bleed. I find the same is true of a painting – no matter what the subject matter. Alternatively – when it’s successful – a work of art is driven by its own inner unity, to which the artist must kneel. An overview of the whole project can be read here.
A technical write up of the lessons learned about egg tempera in this series of panels here.