Another watercolour, a medium which, by the way, is incredibly difficult to photograph. The colour of the spectrum of light influences the photograph. So if I try to create a photograph on a bright sunny day the subtle highlights become washed out. If I try to create a photograph on a cloudy day, there is an inevitable bluish tonality to the light. I can try to colour-correct for that using software but then colour is lost in the process. The highlights inevitably suffer. So suffice it to say that the image presented here is the best I can do to given my skills and conditions. Sigh, the warm yellow wash in the centre is underrepresented. OK.
Otherwise, I had a lot of fun doing this one. It is created on hot-pressed paper, whose flat texture allows for finer detail, especially with the (HB) graphite pencil. I continue to enjoy discovering the possibilities of working wet-in-wet, dry/saturated-in-wet, wet-on-dry or even dry/saturated-on-dry (not much of that last one here). I continue to explore a reduced, complimentary palette within a circular motif. I didn’t use any masking fluid on this one, however I did make use of paper towels to blot back areas of a dark wash, like in the soft dappled light on the tree or foreground on the left.