The original photographic image which was cut up into 64 sections for rendering separately contained a horizontal background swathe consisting of groups of small tourist figures receding into the far distance. So there ended up being five panels containing these figural groupings as well as the architectural backgrounds behind them. Because of the need to employ a sliding scale of finely tuned (gray) values to describe these distances, rendering these panels (in any medium) is proving to be one of the most challenging tasks of this whole project.
This panel then was no exception. I worked on it yesterday and a few hours today. In general, I’m happy now with the hues and the values that have been established. The distance reads well enough. There is a red/green complimentary colour contrast, too. I’m posting it now as a beta version. After it dries I intend to clean up some passages that became muddy. When that’s done (and I’m satisfied) I’ll update this page.
Another interesting challenge was my decision to change the hue for the guard-rail (that you see in front of the girl in the dark green sweater). In the original photograph it’s a bright viridian green, but since that guard-rail is the only element in the whole photograph requiring such a pigment – and because on this panel I wanted to create more distinction between the figure and the rail in front of her, I switched the hue to an olive-green. That means I’ll need to do some additional tweaking on two other guard-rail panels but that’s not a problem. Artistic license rules.
64 panels….. sounds like new and improved ‘Nils’ to me, haha!
Sent from my iPhone
Kin, well, it is.