Tag Archives: using Bridgman for figure drawing

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Figure Drawing, Bruges, October 2, 2024

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Finally, the local artists consider the summer holidays over so that figure drawing sessions here can resume. Hooray!! Personally, I see no reason to stop during the summer but it appears I am in the minority on that one. πŸ˜‰

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

So we began again. My friend Dominique was our model. At first I felt a little rusty, in the sense that I was too slow, so there were lots of good starts – for a pose that ended far too soon. As the evening wore on, the poses lengthened and I warmed up.

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Here then are three keepers. My favorite is the spotlighted one above (available only in the online view). I like it because I feel that with this one especially I was able to get inside her pose and describe it from the inside-out. Yummy. The anatomy I have been learning this past year truly kicked in. It helped me to locate the important structures, to provide emphasis to the dynamic thrusts of her gesture: leaning against the wall with a protruding abdomen.

And I realized later that the importance of the intellect in figure drawing truly is outside the session. There you do your homework – so that in the moment, with the figure, you can truly let go – yet in an informed way. That’s craft. And in many ways all that (craft) has nothing to do with your ability to feel. We all feel, some perhaps more intensively than others, but when craft and feeling come together, yum, IMO that’s when the magic happens – and also effective aesthetic communication.

figure drawing on recycled paper, 35 x 50 cm

Figuur tekenen/Figure Drawing, June 19, 2024

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

I spent the afternoon out in the field working on a new landscape watercolor, so I was really tired but also artistically lubricated by the time the weekly figure drawing session rolled around. Nice. Thus, after a few warm ups – and getting a more or less intelligible figure down on paper – I felt inspired and ready to jump back into laying in the highlights quickly (the way I used to do) but now also (at least hopefully) more accurately.

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

The three minute poses were still too incomplete – I’m still too slow. That will come, but for now, nothing to see here. I’m far more interested in getting accuracy first.

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Fifteen minute figure study. Charcoal pencil on toned recycling paper. 35 x 50 cm

Anyway, our model tonight was a fellow we had about three weeks ago. His body is remarkably easy to read. I found myself joyfully discovering, first and foremost, the thoracic arch and the pelvis, the two (fixed) bookends upon which the torso rotates. That’s basic Bridgman – and I really appreciate it. From those landmarks the rest can follow: abdomen, external oblique (the “love handles” – not that this fine fellow had much to grab), clavicle, acromium process – and all that’s just the torso. The limbs extend from there. Here then are some keepers from the evening.