Tag Archives: landschappen rond Brugge

Langs de Vaartdijk II. Oil on panel. September 2025. 9 x 12.5" or 23 x 32 cm.

Langs de Vaartdijk II, September 2025

Langs de Vaartdijk II. Oil on panel. September 2025. 9 x 12.5" or 23 x 32 cm.
Langs de Vaartdijk II. Oil on panel. September 2025. 9 x 12.5″ or 23 x 32 cm.

It’s early September, the last days of summer are upon us. I went out last Sunday, prospecting for a new painting, and ended up choosing this scene along the Vaartdijk, looking back towards Brugge. I had already done one along this canal about ten years ago, different location, different view. In this scene you can just see the tower of the Gentpoorte rising in the distance, a little to the left of center.

I set up with my chair, paintbox and tripod, situated upon a dijk, rising to the left of the bicycle path. It was about four feet wide. I knew: any wrong move would land me in the water, swimming around with the little duckies. (Didn’t happen, but could have been refreshing if it did.)

I spent about three hours sketching in the scene using silverpoint, until I began inking it in with my black pen nibs. After a few lines, both pens dried out(!). Yes, it was a 30 degree centigrade day out there, but still, maybe time to buy some new ones? So I closed up shop and replaced them the following day. I completed my B/W drawing at home, anticipating going out as soon as possible to render the scene in oil en plein air.

The weather on Tuesday was clear enough and warm enough to give it a shot. As I worked, the shadows lengthened, making the reflections in the water more and more and more interesting. By five pm, as I packed up, I knew how I wanted to handle the water but also knew that it would have to wait until its painted surface had dried enough to do what I felt was still needed.

I ended up using five pigments plus white for this one: ultramarine blue, raw umber, yellow ochre, cadmium yellow light, plus cadmium orange. I used bristle brushes to block in my underpainting and sables to render the details. I made the wished for changes to the water yesterday, which means that I can post this today, chalking up yet one more for this summer season in Bruges. I love singing its praises.

If you are interested in hanging this on your wall, please contact me.

Olie schilderij van de Paarden Hoeve aan Fort van Beieren. 23 x 32 cm or 9 x 12.5 "Oil on panel. August 12, 2025

Midday at the horse farm/Middag op de paardenborderij, August 12, 2025

Last week I created a watercolor of this sweet little landscape that I discovered just outside of Bruges near the Fort van Beieren. I’m always on the lookout for landscapes that combine nature with a few geometrical, manmade shapes. And when the light spotlights these shapes, I’m in hog heaven. This one, including the white washed sides of a red roofed farm house, surrounded by fields and a small creek had all the ingredients I’m usually on the look out for. So, the watercolor was fine, but I was particularly interested in the intensity that can only oil can offer.

I transposed the composition from the watercolor – since that saves making a ton of new decisions in the field. I used india ink and silverpoint on a chalk gesso panel, then gave it a quick shellac-seal for protection and to reduce absorbency.

Field set up of pochade box with transposed India inked drawing, ready for oil.
Field set up of pochade box with transposed India inked drawing, ready for oil.

The first painting session last Saturday involved laying in a yellow ochre tint into which I blocked in the values and tints of all the basic forms. At the end of that session I had a good, gestural underpainting, everything was understated, earthy and yet harmonized. Ever since I changed my recipe last year to egg yolk (instead of a methyl cellulose glue) for my painting emulsion, I’ve had good success – both in drying time as well as fluid paint handling. Encouraging!

The underpainting was dry to the touch after two days(!). I went out yesterday to see what might happen. The weather was perfect. Warm and sunny with a gentle breeze. I set up my traveling oil pochade box and set to work (it has a different design than my traveling drawing/watercolor box due to the requirements of the different media). The time passed. After three hours I looked back happy and decided to call it a day. (“Day!”)

Olie schilderij van de Paarden Hoeve aan Fort van Beieren. 23 x 32 cm or 9 x 12.5 "Oil on panel. August 12, 2025
Olie schilderij van de Paarden Hoeve aan Fort van Beieren. 23 x 32 cm or 9 x 12.5 “Oil on panel. August 12, 2025

I love the white building gently nested near the center, with the mirrored creek leading forward. The complimentary colors of organic reds and greens provide all the passion this kind of landscape evokes. The trees gawkily bend upwards: my kind of cathedral. Here’s hoping the weather continues to provide a few more opportunities to my Belgian muse.

If you are interested in this piece shoot me an email.