Tonight we had Eva again. One of our more regular models. I find her challenging because her skin tones and hair tones both veer towards the cool range chromatically, and for me, drawing the figure is all about creating warmth on the paper.
Tonight (as last week) I experimented with using basic charcoal on the 15 minute poses to very lightly sketch in the figure on the paper first. The point for me experientially is the tactile experience of charcoal on paper. It conveys far more sensation, creating a sort of virtuous (tactile) circle. Once the circle is warm – and the figure has started to emerge – do I segue into the pastels: conté pencils or crayons. Don’t get me wrong, they are tactile, too, just not as intense feeling-wise as plain ol’ charcoal.
Below four fifteen minute poses. Conte crayons and conté pencil on toned pastel paper. 32.7 x 50 cm or 13 x 19 3/4 in.
Below three four minute poses. Charcoal on brown tinted sketching paper. 35 x 50 cm. or 13.75 x 19.75 in.
One of our regulars tonight, Eva, the lady of the black Calvin Klein underwear.
Either she or I were not feeling very inspired, as no fifteen minutes studies made the grade.
Here below are four four minute gesture poses.
Charcoal on brown tinted sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
This model is one of the regulars but who I personally haven’t seen in awhile.
She doesn’t tend toward over-athletic poses but holds whatever pose she does take rather well. Tonight she had a little difficulty for I become sad (Bruno always checks with them) when we see a model begin to shake 10 minutes into a pose, as they come to realize the difficulty of what seemed to be so simple.
Four fifteen minute poses. Still experimenting with pastel highlights, using warm sepia or brown for the shadows. Conte crayon and/or pencil on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.
Two four minute gesture poses. Charcoal on brown tinted sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
Back after spring break. And I, head deep in writing my thesis, happy for a-no-mind interlude. The featured image here reflects my continuing experimentation with colorful pastels – and this exciting dark brown-gray (umber) for the skin-tone shadows. Wow!
Of course, it also helps to have a good model, who takes interesting poses.
Two fifteen minute studies. Conté crayon and conté pencil on toned pastel paper. 32.7 x 50 cm or 13 x 19 3/4 in.
Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19 3/4 in.
Eva, one of our regulars.
Four four minute gesture studies. Charcoal on brown sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
The model tonight, I think her name is Lisa, likes to wear glasses when she poses. She is a good model, also with an interesting shape: thin torso with thick legs and buttocks. There is always something stable, grounding and elephant-like in drawing such figures.
Tonight I had better luck with the four minute gesture poses. Below here are five. Charcoal on tinted brown paper. 35 x 50 cm or 13.75 x 19.75 in.
Haven’t seen this model come for awhile. She is younger than most, so that just means that potentially she might take more energetic positions. Well, that wasn’t really the case tonight. Still, it turned out to be a productive evening.
Three fifteen minute poses, Conté crayon touched up with conté pencil on toned pastel drawing paper. 32.7 x 50 cm or 13 x 19.75 in.
Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19.75 cm.