Tag Archives: artist in Bruges Belgium

St. Martin de Castillon France

St. Martin de Castillion, June, 2011

Value study of St. Martin de Castilian France. June 2011. 21 x 29.5 cm. or 8 1/4 x 11 1/2 inches.

Framed. $50 or 50 Euros plus shipping and handling.

Please contact me if you are interested.

Anna Front. A mixed media painting on panels. 44.5 x 63.5 cm or 17.5 x 25 in.

Anna, Front – a Mixed Media Project, May 2011-2021

Anna #09. Encaustic on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

Anna #09. Encaustic on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

Back in the 1970’s, I did a series of “tiled paintings” (what I now refer to as Deconstructed Realism). Principally the idea is to break up a found (photographic) image by exploring the different media that have traditionally been used to create art. I did three such projects at the time, and was preparing to do a fourth, when my direction in art and in life changed.

However I had already asked a local carpenter to cut twenty five identically sized hardwood blocks for this new project. I had envisioned it as a double sided painting, so I had asked him to drill a hole exactly down the centre of each panel. I pictured five rows of five panels each that could swirl interactively, front to back, somewhat like an abacus. Well, that was my idea back in the day. 😉 Still, I set it all aside, packed up my little blocks and moved out west to explore a new chapter in my life.

Anna, #16. The mixed technique over pretextured relief on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

Anna, #16. The mixed technique over pretextured relief on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

Fast forward about thirty years and I finally decided to pull those little blocks out of storage. I still wanted to use them to create a double sided painting and had decided that portraiture would be the best genre for such a project. But I had not decided upon any particular subject until a friend of mine (Anna) became seriously and unexpectedly ill. My choice then became clear. I located a photograph of her that I liked, secured the copyright and set to work.

Anna #08. Egg tempera over a presculpted relief on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

Anna #08. Egg tempera over a presculpted relief on wood panel. 9 x 12.7 cm or 3 1/2 x 5 inches.

For the front panels I used the mixed technique (a hybrid of oil  and egg tempera), Dorlan’s cold wax tempered with oil, encaustic (a hot wax technique) and egg tempera. Some panels were pre-treated with collage elements while others were textured with a light relief. Still others were left untreated ( before the application of the chalk gesso ground). They all were painted in a full chromatic range as well as a full range of (black and white) values. See the detail images included here above, left and right. This front side was completed in 2011, though because of its piecemeal nature it was undisplayable. Additionally, due to its piecemeal nature my unified and unifying vision for the back side was un-executable(!).

Anna, Back. Multimedia on panel. 44.5 x 63.5cm or 17.5 x 25 in.

Anna, Back. Multimedia on panel. 44.5 x 63.5cm or 17.5 x 25 in.

The project languished in a corner of my studio until 2021 when I picked it all back up. I was intrigued with the viability of my intended imagery for back side. (Anna-Back then was to be a visualisation test piece for an upcoming silverpoint project). The finally completed back side is illustrated here to the right. The thumbnail also includes a link to its full description. That page includes further links to the glueing and framing, grouting and glazing solutions described on my companion atelierartisanal.com website. The assembled “Anna” measures 44.5 x 63.5 cm or 17 1/2 x 25 inches. When framed it measures 50 x 70 cm or 19.6 x 27.5 in. It weighs about 10 pounds.

 

the inside out, the Predijkherrenrei

the Predijkherrenrei, inside-out – Oil, July 2010

Ever since my early experiments in painting, I have gravitated to painting on panels. Canvas is OK, but I just love the tactile quality of chalk gesso on panel. So I’ve always fully gessoed my panels on both sides – which is in fact how the flemish primitive painters did it too. And indeed it’s always seemed a shame to me to ignore that reverse side. (Sometimes in museums, you’ll see the back side of a painting done with a trompe l’oeil effect to depict a textured surface like, wood or marble.)

When I discovered (in 2009) how well a turtle shell trompe l’oeil effect had worked on a wide frame for a detailed cityscape I had painted, I decided to bring the abstract effect directly into the painting. So I commissioned a local carpenter to build me a wooden panel with a rotating inner core. I gessoed both sides and set to work. This is the result. It’s not really a painting to hang from a wall, since the back sides also participates. But who ever said art should be functional?

the outside-in, back side to the inside-out

back side of the Inside-out view of the Predijkherrenrei painting.

the Predijkherrenrei

The front side of the Predijkherrenrei cityscape in Bruges Belgium

The Predijkherrenrei back

The back side of the Predijkherrenrei landscape painting.

Two sided oil on panel with rotating inner core. Based on a value study. July 2010. 44 x 59 cm or 17 1/4 x 23 1/4 inches. NFS. You can read about the work-up of this piece here.