Tonight we had Ina, originally from South America, so Spanish speaking. She is together with a Belgian man with whom they have two children. But the curious thing about her is that she, husband and two children took off from here about two years ago to live on a sailboat and sail around the world. Well, she’s back now. The sailing adventure did not go exactly as planned. 😉 But they are still free spiriting it around Europe living in a camper van and sailing a few months out of the year. So much for the story, here are a few drawings from the evening.
Four fifteen minute studies. Conté crayon and pencil on tinted pastel paper. 32.7 x 50 cm or 13 x 19.75 in.
Two four minute gesture drawings. Charcoal on brown tinted sketching paper. 35 x 50 cm. or 13.75 x 19.75.
Tonight we had Lisa as our model. She’s one of our regulars, distinctive by her glasses (which, for the most part, I did not include tonight). She also has a distinctive body: thin in her upper torso but large, thick buttocks and thighs.
Here below three fifteen minute studies. I’m still experimenting with pastel chalks for the highlighted skin tones. Conté pencil highlighted with conté crayon on pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.
Two four minute studies. Charcoal on toned sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
This model is one of the regulars but who I personally haven’t seen in awhile.
She doesn’t tend toward over-athletic poses but holds whatever pose she does take rather well. Tonight she had a little difficulty for I become sad (Bruno always checks with them) when we see a model begin to shake 10 minutes into a pose, as they come to realize the difficulty of what seemed to be so simple.
Four fifteen minute poses. Still experimenting with pastel highlights, using warm sepia or brown for the shadows. Conte crayon and/or pencil on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.
Two four minute gesture poses. Charcoal on brown tinted sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
Back after spring break. And I, head deep in writing my thesis, happy for a-no-mind interlude. The featured image here reflects my continuing experimentation with colorful pastels – and this exciting dark brown-gray (umber) for the skin-tone shadows. Wow!
Of course, it also helps to have a good model, who takes interesting poses.
Two fifteen minute studies. Conté crayon and conté pencil on toned pastel paper. 32.7 x 50 cm or 13 x 19 3/4 in.
Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19 3/4 in.
Haven’t seen this model come for awhile. She is younger than most, so that just means that potentially she might take more energetic positions. Well, that wasn’t really the case tonight. Still, it turned out to be a productive evening.
Three fifteen minute poses, Conté crayon touched up with conté pencil on toned pastel drawing paper. 32.7 x 50 cm or 13 x 19.75 in.
Four four minute gesture studies. Charcoal on brown tinted sketching paper. 35 x 50 cm or 13.75 x 19.75 cm.
Fantastic model tonight. How could we be so lucky to have two great male models (almost) in a row (see February 12th)? For the model tonight seemed to know intuitively what poses create true interest. Weight changes. Tension – and/or lack of it. Being comfortable in your own skin. Well, OK, I was also experimenting – with some success – with my new skin tone pastels. Maybe both factors coming together?
Below six (count ’em, six) fifteen minute figure studies. (that means that almost every one turned out interesting, since we usually do seven in total). Conté crayon with conté pencil on tinted pastel paper. 32.7 x 50 cm. or 13 x 19.75 in.
Three gesture drawings. Charcoal on tinted brown sketching paper. 35 x 50 cm. or 13.75 x 19.75 in.
After a long (way too long) hiatus, I was finally able to return to figure drawing this week. What a delightful surprise to find that the model was one of my favorites(!). I distinctly remember when he posed for us last (about two years ago). That evening, almost every drawing turned out well, partly because he is/was such a good model: comfortable in his own skin and sensitive to what makes for an interesting pose. In the past (not knowing his name) I had called him Tintin, but as I learned this week his real name in Frederick. Thanks, Frederick!
In addition, during this interim I was able to pick up some additional skin tone pastel pencils and conté crayons which allow for subtle additions of warm accents. Yum!
These two toned drawings are 15 minute studies. Conté pencil highlighted with conté crayon onpastel paper. 32.5 x 50 cm or 13 x 19 3/4 in