Three 15 minute poses. with a clothed model – for a change. Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two 4 minute poses.35 x 50 cm. or 13 3/4 x 19 3/4 in.

Three 15 minute poses. with a clothed model – for a change. Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two 4 minute poses.35 x 50 cm. or 13 3/4 x 19 3/4 in.

When the model has some background in yoga, the poses taken can be quite interesting – and challenging to both parties!
Two poses of 15 minutes, one above and one below. Conté pencil highlighted with conté crayon on toned paster drawing paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two poses of four minutes. Conté crayon on toned sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

One of our regular models, the one who likes to wear her glasses while posing.
Tonight I experimented with doing one of the 15 minute poses on sketching paper instead of pastel paper. The tactile feel was different, and also the way the paper received the strokes of the chalk. Less receptive. But OK, the drawing turned out alright – but I wouldn’t do it again. Too much of a struggle. I prefer the other 15 minute study on the darker toned pastel paper but wanted to highlight the sketch paper one just to illustrate the difference. So two fifteen minute studies, one above and one below. Conté pencil highlighted with conté crayon on toned paper. 32.5 x 50 cm or 13 x 19 3/4 in.

A few of the four minute poses. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

A relatively quiet evening. I think the four minute studies were more interesting from tonight. A light, vibrating, febrile touch reinforced by heavy strokes once the shape began to form on the paper. Conté pencil on sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
One fifteen minute study. Conté pencil highlighted by conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two four minute studies. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

Some evenings are pure magic. This was one. What are the ingredients that made it so? I’m not entirely sure but I can say that a good model does make all the difference. The model tonight was a man I had never seen before (or since) but he was so good. How so? His poses were not particularly athletic yet he seemed to emanate a quiet self-acceptance, sitting, standing, crouching. He posed naked for the four minute poses but clothed for the longer fifteen minute ones. Due to the fact that he had clothes on, it gave me more colors and textures to work with. For lack of a real name I call him Tintin because he reminds me of that character from the Belgian comics.
Here below are three fifteen minute poses. Conté pencil highlighted by conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.
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Here are a few four minute poses. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

I’ve decided to highlight one of the four minute poses for a change. Tonight I experimented with using conté pencil on pastel paper for the quick poses instead of cheap sketching paper. It creates more drag on the crayon, which for a quick sketch translated into a heavier more intentional line. So here, one four minute pose. Conté crayon on pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.
Two fifteen minute poses below. Conté crayon with pastel chalk on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two fifteen minute poses. Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

One of my all-time favorite models, Luc. He is a dancer, so he easily takes on interesting poses containing a sense of gesture. Also, he sometimes wears his white, flowing, dancing pants, which allow for other interesting lines and contrasts. Five fifteen minute poses. Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

And a few four minute poses – also well worth spotlighting but I only have one shot.35 x 50 cm. or 13 3/4 x 19 3/4 in.

One of the regular models, Ina from South America. Maybe Brazil? She is very friendly but not that creative in terms of her poses so I’m always glad if something can emerge from a session with her. In this case, the portraits capture a fairly good likeness. I decided to spotlighted one here simply because it is an interesting study using a cool blue conté crayon for the shadows and dark accents, which I don’t usually do. Three fifteen minute studies. Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

A few four minute poses. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

A good model tonight. She took interesting poses that translated into a few good drawings.
Two fifteen minute studies, one above and one here below. Conté pencil highlighted with conté crayon pastel sticks on pastel paper. 332.5 x 50 cm or 13 x 19 3/4 in.

Two of the four minute poses. Conté crayon pencil on sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.
