Category Archives: Charcoal

The oldest, most basic tool for drawing. I use it for five minute (or less) quick figure sketches – on cheap sketching paper.

Figure Drawing, July 31, 2017

Two fifteen minute poses ended up being keepers from this evening. I like how there is a different chromatic feel reflected in the choice of different papers and the subsequent development of the image.

Conté pencil highlighted with conté crayon on pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

And a four minute one as well. 30.5 x 40.6 cm. or 12 x 16 in

Figure Drawing, July, 3, 2017

Soeren, one of my favorite models. A tall, lanky guy whose body can never fully fill the page no matter how big the paper may be. The foreshortening in the reclining pose, below left, was particularly challenging so I’m especially happy with the way the final white highlights helped to define his splayed out body.

These three sepia toned drawings (plus one gray) are 15 minute studies. Conté pencil highlighted with conté crayon on pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Two of the four minute poses below. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

 

Figure Drawing, June 5, 2017

The model tonight was a young girl who (obviously) does a lot of yoga. These kinds of models are quite supple and with a good feeling for interesting poses. Embodied awareness. I’m especially happy with the highlights of the featured image here. I used light yellow, light peach and sepia pastels to contrast with the dark brown of the conté crayon

Below are some 15 minute poses on tinted paper with conté pencil highlighted with conté crayon on toned paper. 32.5 x 50 cm or 13 x 19 3/4 in.

The four minute poses tonight went quickly and well. It’s always delightful to have a good model. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

 

Figure Drawing, May 22, 2017

I find there is something disconcerting about a nude model, who decides to retain their glasses. When drawing, include them or not? If so, the hard lines and hard reflections from the glasses create an element where previously there were only organically flowing shapes. But still, I think the most successful drawing of the evening was the featured one here where the bright white of the glasses’ reflection forms the strongest highlight.

Conté pencil highlighted with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

 

 

Here below two of the four minute quick poses. Conté crayon on sketch paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

Figure Drawing, February 15, 2016

A model whose ethnic characteristics are Indian. So she has almost bluish tints to the highlights of both her hair and skin. Nice, but it can be chromatically challenging if you take your visual impression literally.

One fifteen minute pose, spotlighted above. Conté pencil heightened with conté crayon on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

Three four minute gesture studies. Black charcoal on toned sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

 

Figure Drawing, August 10, 2015

Tonight felt like a bit of a breakthrough for me. I’ve just started using the sienna toned paper. But which color to use to draw the figure? And then what pastels to use for the highlights? It needs to become intuitive – as it did in this spotlighted one.

Three fifteen minute studies. One above and two below. Conte pencil tightened with conté crayon on toned pastel paper.  32.5 x 50 cm or 13 x 19 3/4 in.

Three four minute studies. Charcoal on toned sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.

Figure Drawing, July 27, 2015

A fruitful evening with a good model.

Four fifteen minute poses. One spotlighted above and three here below. Conté pencil on toned pastel paper. 32.5 x 50 cm or 13 x 19 3/4 in.

 

Three four minute poses. Charcoal on toned sketching paper. 35 x 50 cm. or 13 3/4 x 19 3/4 in.