Category Archives: Silverpoint

Silverpoint is self-descriptive, that is, it is a piece of silver rod inserted in a drawing stylus which is then moved across an appropriately prepared surface. The surface can be flexible or inflexible but needs to be prepared with enough “tooth” so that the silver rod leaves its mark behind. This mark is known for its delicacy of line and faintness of value.

Silverpoint underdrawing on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawings, batch #2

Silverpoint underdrawing #05 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #05 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I’ve completed six more panels, so I figure it’s time for an update. Illustrated here are a few of those that I that have found to be particularly interesting/beautiful for various reasons. The most evocative appear to be those whose compositions include human beings or parts thereof. It’s as though each one is from some unwritten comic book – captions not included (Hergé would have understood). Additionally, the abstract panels cause me to wonder/admire anew at how the iconoclastic impulse of Islamic art continues to produce such interesting varieties of texture and pattern.

Silverpoint underdrawing #07 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #07 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Further, one very general note. I feel I am serendipitously creating 21st century daguerreotypes(!). (Who knew?) It’s as though by using silver to recreate images based on a digital photograph the mechanistic process has come full circle: human to machine back to human. And again, because the drawing stylus is silver it’s almost impossible to achieve a line that is darker than a 50% grey value. All values are compressed thereby, necessitating a multitude of small decisions. Adding in the white highlights makes each panel come alive – my own gevoelsmatig pleasure.

Silverpoint underdrawing #11 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Silverpoint underdrawing #11 on toned gesso ground. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

The raison d’être for these remains as underdrawings. And I have no doubt that their beauty and subtlety will contribute to the whole in as-yet-to-be-experienced ways. However, some will be held back for individual display and appreciation. For this, I think I have a plan…

Silverpoint over tinted acrylic gesso ground, highlighted with (acrylic) titanium white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Silverpoint Studies, Batch #1

Panel #10, Silverpoint over tinted gesso ground, highlighted with white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Panel #10, Silverpoint over tinted gesso ground, highlighted with white. 13.3 x 21 cm or 5 /1/4 x 8 1/2 in.

Panel #01, silverpoint underdrawing over tinted gesso, highlight with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #01, silverpoint underdrawing over tinted gesso, highlight with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I’ve been doing some underdrawings for a new project. It will be a different approach to the same image/subject matter as the “A Piece of Me” project, completed in December 2020. However, instead of being executed in a full textural and chromatic range this one will be untextured,  monochromatic and ghosted back. It will be done in silverpoint on acrylic and overpainted (in acrylic or oil, TBD) on sixty four panels.

Here’s a selection of some of the individual panels I’ve created so far with some notes. 1) Using silver point means that I can never reach a rich dark value (this is not india ink!). So that’s fantastic and exactly what I’m looking for. 2) In addition, since I’m creating them on tinted grounds, the darkest value provides less contrast than if I were starting from a white ground. Again, excellent! 3) The tinted ground itself establishes a middle value and allows me to lay in white washes to bring in some highlights. 4) Inevitably, the value range is compressed and subtlety reigns. Nice.

Panel #02, silverpoint underdrawing over tinted gesso, highlighted with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #02, silverpoint underdrawing over tinted gesso, highlighted with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #03, silverpoint underdrawing, silverpoint on tinted ground touched up with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

Panel #03, silverpoint underdrawing, silverpoint on tinted ground touched up with white. 13.3 x 21 cm or 5 1/4 x 8 1/2 in.

I can already see that, when the composition warrants it, a few of the panels are or will be worthy of individual display, though I’m not sure how to handle that. Should I create them (only) for integration into the final piece? Or should I create some for appreciating in isolation (only)? It’s a great problem to have which, at the moment, I don’t have to solve. I can simply create the little panels, fall in love and see where it all goes.